Bauhaus & Black Mountain College



Bauhaus (place of construction/schools of building)

Joseph Albers (originally Itten’s student)
Publishes: Interaction of colour, 1963
Develops a Perception-based model of ‘colour-action’
His focus is upon (material) process
wants to teach ‘vision’ wants to teach seeing 
In keeping with the increased importance of industry at the Bauhaus, Albers’ instruction was geared toward GENERAL DESIGN principles, which he saw as a means of visual organisation. 
Note his intense dislike of expressionism 

Importance of experimentation 
students would select a specialisation in specific field, when joining a workshop.

Laszlo Moholy-Nagy 
Importance of technology 
Student explore the aesthetic and and the communicative properties of the material 
Moholy-Nagy teaching was direct towards simplicity and elements of expression. -‘to be a user of machines to be of the spirit of the century. 
He made student organise natural and industrial matter by surface effect in elaborate taxonomies/tactile charts. they did so according to set categories, the important being ‘surface aspect’, which related to how one would use material to how one would use material to achieve a desired sensory result, presumably from a product one might design. 


Johannes Itten 
Itten Stressed direct interaction with the physical would- he saw the study of nature as av=bove all else a study on the purely material’ through which we might discover the inexhaustible waekth of textures and their combinations. 
students diid more than develop technical skills as they might with earlier traditions of instructions Itten believed that reality was filtered through the senses. He claimed that through exercises dealing with materials and materiality a new world cloud be discovered. Ittens method stressed bodily mediation; his exercises involved looking closely and intently so as to discover the world anew through sharpened and refined senses.

Black mountain college 
Progressive environment- liberal arts college 
Students black mountain collage attended two compulsory courses.
The practice of art was undertaken by all students 
BCN emphasised and not results 
our way of handling facts and our selves amid the facts is more important than the facts them selves 

absence of conventional grades and credits and the central importances accorded to the arts